WH

my left buttock would be a better choice for dr. strange than benadryl cankersore

sneakmouse:

thorsswagga:

littlestarlolo:



there are literally no words and no amount of capslock to express the pure and utter hatred i am feeling

#marvel i’ve had it up to here #will this be the hollowed-out human skin balaclava stretched over an anaconda skeleton that breaks the camel’s back

sneakmouse:

thorsswagga:

littlestarlolo:

image

there are literally no words and no amount of capslock to express the pure and utter hatred i am feeling

 

giveme-givenchy:

Harry Treadaway attends Showtime’s “Penny Dreadful” panel during Comic-Con International 2014 at the San Diego Convention Center on July 24, 2014 in San Diego, California.

giveme-givenchy:

Harry Treadaway attends Showtime’s “Penny Dreadful” panel during Comic-Con International 2014 at the San Diego Convention Center on July 24, 2014 in San Diego, California.

iron-han:

Ser Pounce-A-Lot doesn’t seem like such a strange name for a child in need of a friend.

(one of the books in the Chantry has a scribble of Ser Pounce-A-Lot from when Anders was there when he was younger, so I’m convinced the Pounce-A-Lot in Awakening was not the first Pounce-A-Lot - maybe it just reminded him of the first one?)

The way Reeve stares {x}

THIS HARRY TEADAWAY THIRST

WHY HAVE YOU FORSAKEN ME GOD

the only thing from the teen wolf panel i care about is if they mentioned lydia and older men

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

solas-buttchin:

raise your hand if you’re planning on unwrapping Cullen like a chocolate bar on Halloween